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Serigraphy*
by Aristide NAJEAN Six original works by Aristide NAJEAN provide
the "point of departure" for the first edition of a serigraph by maestro
Fiorenzo FALLANI, internationally renowned as one of the best and most innovative
masters in his field. Each serigraph was subsequently completed by Aristide
Najean with tempera paints, so that every single copy is unique and unmistakable.
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| The first edition includes:
1 x "Paline con la neve" on blue paper - 70 x 100 cm / 4 colors and
tempera 1 x "Paline nella notte" on blue paper - 70 x 100 cm / 4
colors and oil 50 x "Paline" on white paper - 70 x 100 cm / 4 colors
and tempera 50 x "Paline" on white paper - 50 x 70 cm / 4 colors
and tempera 50 x "La luna caduta" on black paper - 85 x 70 cm /
4 colors and tempera 50 x "L'apertura sul rio" on white paper -
100 x 70 cm / 4 colors and tempera 50 x "L'apertura sul rio" on
white paper - 70 x 50 cm / 4 colors and tempera 50 x "Rialto" on
white paper - 50 x 70 cm / 4 colors and tempera 50 x "L'apertura sul
canale con il palazzo rosso" on white paper - 70 x 50 cm / 4 colors and tempera
50 x "Spirito del canale" on ivory paper - 50 x 70 cm / 4 colors and
tempera The paper used is: "FEDRIGONI" - 390g All copies
are signed by the artist. >>italiano
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* Serigraphy,
from the Latin "Seri" (silk) and the Greek "graphein" (to
write down) is a "creative art" in silk screen, a term invented by Anthony
Velonis in 1940. Silk screen itself is said to go back 2000 years. Although it
was first patented in the UK (1907) and then the USA (1908). The company that
first used the process in the US was the San Francisco Flag Company, which used
silk-screen to make advertising posters. The silk screen process involves forcing
ink through a stencil embedded in a silk or polyester mesh "screen".
The screen is a wooden or metal frame over which the mesh is stretched drum-tight.
Base materials include: photographic emulsion to make stencils, polyester mesh,
fine art inks. >>italiano
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